New Work: Andaman
Available at SOFA New York City April 16-19, 2010
via Habatat Galleries Chicago

Andaman
46"l x 22"h x 6"d
Photo: Jim Gill

Eleuthera
30
"l x 14 "h x 6"d
Photo: Jim Gill
Available April 2010
thru Habatat Galleries Michigan
Flores& Low Tide 2

30"H x 14"L x 6"D |

18"H x 6 "L x 6"D |
For other available work click here
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Shayna
Leib is a multimedia artist whose sculptural glass and metal
art reflects her intelligence, sense of design, and rhythm. Her art reflects
her ability to manifest her diverse artistic background with her creative
talents in an intelligent way.
While
completing her Bachelors of Art degree in Philosophy at California Polytechnic
State University in San Luis Obispo, California, Shayna also studied literature,
glass, and concert piano. Accepted to pursue a Doctorate in Philosophy,
she chose instead to enter the University of Wisconsin-Madison for graduate
studies in glass and metal.
Her
glass interests at UW-Madison led to an equal focus on functional and
sculptural works, where she explored the subtly different ways in which
glass' most unique qualities were captured in each. Shayna uses the flow
of hot glass, its capacity to freeze an artistic moment in time, and the
inherent ability of glass to manipulate optics to express her artistic
vision and inner direction.
Her
intricate cane pieces focus on the beauty of a single solitary unit, which
both asserts and subordinates its autonomy in a work. "My visual concept
of beauty has always been fractal," she says. "I am intrigued by multitudes
of tiny little parts, for example, blades of grass all bending in the
wind to the same rhythm. As you pan out you have waves of form. Zoom in
and you see each individual blade of grass moving to the flow of the wind.
Everything in nature possesses this quality."
Shayna
is recognized by the art world for her innovations and achievements in
glass, metal, painting and drawing. She achieved national recognition
with her sculptural glass work titled Current-June
2, 5:46 p.m., which won first place in the 2003 Horizon Emerging
Artist Award given by the American Craft Museum and Hunter Douglas, and
was also featured at the International Sculptural Objects Functional Art
(SOFA) exhibit in New York City. Current took two months to complete
and contains around 40,000 individual glass elements placed by hand. It
shows a movement that is ceaseless with subtle green monotones, giving
the piece an organic, yet deliberate quality.
It
was Shayna's intention that the Moment Series, which Current-June
2, 5:46 p.m. is from, consist of visual portrayals of frozen motions
in time. Each piece has two titles, the movement or description, followed
by the freeze-framed minute. The titles—Bypass, Static,
Coagulation, and Current—each give a glimpse into
a separate rhythmic movement.
Shayna
views glass and music in a similar manner. "After 14 years of training
as a musician, music moves before my eyes as if it was a visual entity,"
she says. "Perhaps it is that the training of reading sheet music is never
broken. Take that language of symbols away and I still feel the passage
of sound in a corporeal way. The closest language to articulate the passage
of pattern, motion, and crescendo is the language of glass with its movement
and fluidity." Shayna uses the properties of glass to suggest movement
in a lyrical way reminiscent of rhythm and sound, allowing art to focus
on time as well as space.
When
she is creating art, Shayna uses glass in a unique way. Her cane pieces
are very genuine, sensitive, and designed with sensibility. The look of
her art is natural and subtle, yet her aggressiveness with the glass medium
is intensely focused to produce original, colorful and chromatic works.
There is a transformation through chaos. Her works derive pattern from
chaos and possess a self-similarity.
The
mediums Shayna works with are demanding, but she has the ability to tame
them. Known for her careful, meticulous, and intelligent sense of design,
the skill she exhibits in producing beautiful art is a product of her
competence and her unique understanding of the extreme demands of the
characteristics of the medium.
—
Shirley Koehler
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